1. Caminando por el jardín divisábamos cada vez más tonos de los otros colores. Primero vimos un rosal que rodeaba la vieja puerta del edificio al lado. Son sus flores las que nos llaman la atención. El tono rojo intenso tirando a rosa oscuro les da a las flores la elegancia y la dignidad. Luego hallamos las rosas blancas cuya blancura construye la armonía con el color de las nubes. a) ¿Qué título le pondrías a este texto? ..……………………………………………………………………………… b) Señala tres rasgos físicos que mejor describen este lugar:  …………………………………………………………………………………………… …  …………………………………………………………………………………………… …  …………………………………………………………………………………………… … c) ¿Qué sensación despierta en ti esta descripción topográfica? …………………………………………………………………………………………… …

The term is called adduction 

Perspective is important because it enabled the 3 dimensional world to be translated into the 2d world of the picture plane. this had an immediate impact on the representation of reality in art and design. 

Buddhist painting from india, nepal, and tibetthe production of buddhist manuscripts illustrated with images of various buddhist deities and/or scenes from the life of shakyamuni flourished in bihar and bengal (present-day eastern india and bangladesh) under the rule of the pala dynasty (ca. 8th - 12th century). the illustrations of the gods that appear in these manuscripts were based on descriptions found in indian texts intended to the practitioner mentally invoke the form of the deity. these texts provide the artist with the basic schema of the image, detailing what an image should look like, from the posture, gesture, and color of the deity, to the attributes (objects he or she holds that symbolize specific powers or knowledge).similarities among the buddhist paintings in this section, which are from india, nepal, and tibet, stem from a variety of reasons. they include the continuous trade and contact provided by trade route linkages and the tendency of artists working abroad to emulate indian models, but the main reason is due to the fact that the gods' depictions in the art of all three countries are ultimately dependent upon the meditation texts described above. in addition, during the pala period, pilgrims, monks, and students from all over asia, but particularly from nepal and tibet, flocked to the region's prominent religious centers; when they returned home, they took the pala style with them in the form of portable items such as manuscripts and small sculptures.