How is the ivory saltcellar from the 16th century an example
of a transcultural art object?
O...
How is the ivory saltcellar from the 16th century an example
of a transcultural art object?
O It was a status symbol to both the European and African peoples.
O Its function is for European use and it may have been European-
designed, but produced by an African artist using figure
proportions common in African aesthetics.
Both European and African peoples both loved ivory and
elaborate gift-giving.
O The ivory has been carved very skillfully, depicting an execution
scene on the top of the orb.
Answers: 3
Arts, 22.06.2019 09:00, fsugg9168
Which statement about landscaping by thomas cole, vincent van gogh, shen zhou, and ansel adams are true? choose all answers that are correct. a. adams manipulated values in his photographs to capture how he felt about a landscape. b. cole made realistic landscapes that lack symbolic or moralistic meaning. c. shen used expressive brushstrokes to build up objects and used washes to fill larger areas. d. van gogh used intense color, bold brushwork, and distorted forms to express his emotions.
Answers: 1
Arts, 22.06.2019 19:00, AshlynPlayz45
Which statement is true about the function f(x)= –? the domain of the function is all negative real numbers. the range of the function is all positive real numbers. the domain and range of the function have opposite signs. the domain and range of the function are the same. which statement is true about the function f(x)= –? the domain of the function is all negative real numbers. the range of the function is all positive real numbers. the domain and range of the function have opposite signs. the domain and range of the function are the same.
Answers: 1
Arts, 23.06.2019 11:40, justinxvengance7249
How does the character of the fourth movement compare with the first three? consider such factors as tempo, texture, rhythmic character, and melodic themes. how does the piano concerto compare with johann sebastian bach's brandenburg concerto no. 5 in d major, bwv 1050? what similarities and contrasts do you see between these two works of the same genre? the following questions will you compare them. what instrument is featured as soloist in bach’s brandenburg concerto no. 5? how did the role of the keyboard instrument change from the time of bach to brahms? (hint: was the soloist in bach’s brandenburg concerto usual or unusual? ) where is the cadenza in the opening movement of bach’s brandenburg concerto no. 5? where is the cadenza in the opening movement of brahms’ piano concerto no. 2? which composer’s work featured a larger orchestra? how does this reflect the style period? how is this piece representative of romantic style? consider the instrumentation and orchestra size, scope of the overall work, and elements of character including tempo, texture, and themes. you may want to listen to excerpts from some of the prior movements. click on the play buttons below to listen to movements one, two, and three. you can listen to them in their entirety, or if you prefer, you can just listen to sections to refresh your memory of what these movements sound like.
Answers: 2
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