Feminist artist Ana Mendieta draped her body in mud for her performance piece Arbol de la Vida. In terms of its visual impact, most viewers who saw it were likely by its extraordinary contrasts of texture.

A. sickened

B. shocked

C. amused

D. saddened

E. bored

Symbolic proportion is a. the relative size relationship between religious figures and other part of a work of art. b. the apparent disproportionate relationship between objects within a piece. c. the manipulation of visual characteristics in order to emphasize one specific figure. d. the use of geometric arrangements to show religious imagery or to tell stories. select the best answer from the choices provided