Angels in America Part 1: How do these magical moments function in the play? Why are they important? Why might Kushner specifically note that they should be theatrical rather than mystical (such as seeing the wire as the angel flies in)? How might these choices influence an audience member?

one of the most things about dancing is really the genre. this is because in a dance routine you think about what you wanna dance about for example if ur genre was about horror the dancers could be based on a horror character

explanation:

if it a fruit then the supermarket!

mark me brainliest

-agarvated

sorry. my computer broke down and i had about 3 doctor's appointments. i'm just catching up now after reinstalling a router.

i think you best answer to this is d. some film directors were very picky about roles and lighting and and which side of the face the camera should catch. they were also picky about sound and background noise and chatter and music and all sorts of what we would consider trivial things. a stage director has to have all this ironed out before the curtain goes up. if he doesn't he better do it soon. if he doesn't notice, critics soon will, and they are not a very nice bunch.

e: both have the power to ask for rewrites. theater directors are always yammering about act 2.

c is true. both can ask for any number of things during rehearsals. the reason i wouldn't pick c is because a film director can make changes anytime during shooting, including when he thinks they ought to be done shooting.

b i didn't know what blocking was and i can't find a good description. if you have one and think b is true, go for it.

a a film director quite frequency chooses the leading lady or man. he may not have the final word, but he chooses. sometimes a theater director has no choice. a is generally not true.