Which of the following below is the best example of an effective critique?
a. Good job, but you looked weird when you demonstrated that model, and you sort of sounded like an
idiot when you forgot what you were going to say.
b. Good job, your ideas were organized and your demonstration really engaged the audience. One thing
you could do differently is try to make more eye contact and use your notecards less.
C. Good job, you were prepared and I liked your speech a lot. My favorite part was when you
demonstrated that model.
d. None of the above.

No, it was beethoven

If you could give us the questions i can see if i can you! : )

Ithink the men do it because the women work very hard, especially during childbirth. as for whether textiles are a "female-only" art, certainly not! there is no such thing as a job the other gender can't do (pardon my bluntness).

Buddhist painting from india, nepal, and tibetthe production of buddhist manuscripts illustrated with images of various buddhist deities and/or scenes from the life of shakyamuni flourished in bihar and bengal (present-day eastern india and bangladesh) under the rule of the pala dynasty (ca. 8th - 12th century). the illustrations of the gods that appear in these manuscripts were based on descriptions found in indian texts intended to the practitioner mentally invoke the form of the deity. these texts provide the artist with the basic schema of the image, detailing what an image should look like, from the posture, gesture, and color of the deity, to the attributes (objects he or she holds that symbolize specific powers or knowledge).similarities among the buddhist paintings in this section, which are from india, nepal, and tibet, stem from a variety of reasons. they include the continuous trade and contact provided by trade route linkages and the tendency of artists working abroad to emulate indian models, but the main reason is due to the fact that the gods' depictions in the art of all three countries are ultimately dependent upon the meditation texts described above. in addition, during the pala period, pilgrims, monks, and students from all over asia, but particularly from nepal and tibet, flocked to the region's prominent religious centers; when they returned home, they took the pala style with them in the form of portable items such as manuscripts and small sculptures.