In animated films which consist of primarily computer-generated imagery, the relationship between the director and the production designer is the same as in nonanimated films, except that the production designer and his or her staff have

a. less control over the mise-en-scène, as the specific details of the film are dictated by the director to the production designer.
b. greater difficulty getting the director to understand what the final product of the computer-generated images will look like.
c. even greater control over the mise-en-scène and the entire look of the film than they could possibly have in nonanimated films.
d. greater difficulty explaining to the director what the look of the film should be